Best Fashion Moments in Film History

 When fashion and film collide, magic happens. Memorable moments that leave us thinking of them for years to come. The backbone of character development, and the pillars of both inspiration and nostalgia, sometimes the fashion moments in the films hold up longer than the films themselves. Whether you're a green dress in Atonement, kind of person, or an Annie Hall devotee, we've all been swayed to seek out a bias cut silk dress at the credit of these scenes, so below, is a roundup of the 5 best movie fashion moments, according to the RUSSH editors.

Annie Hall (1977)

In the realm of cinematic gems, 'Annie Hall' (1977) shines as a brilliant star that still dazzles with its wit, charm, and profound exploration of human relationships. Directed by Woody Allen, this iconic film weaves a tale that transcends time, offering a glimpse into the complexities of love and the peculiarities of life.

At the heart of this narrative stands the enigmatic Annie Hall, portrayed by the incomparable Diane Keaton. Annie is more than just a character; she's an embodiment of quirkiness and vulnerability, a personality that resonates with anyone who has felt the tugs and twists of romance. Through Keaton's performance, Annie becomes more than a love interest; she becomes a mirror reflecting the intricacies of our own hearts.

The film's fashion choices, particularly Annie's wardrobe, have also left an indelible mark. Her unconventional style—featuring oversized men's blouses, slouchy trousers, and an iconic necktie—captured a certain androgynous chic that defied norms and set trends. Diane Keaton's unique fashion sense within the film not only shaped Annie's character but also found its way into popular culture, leaving a lasting influence on women's fashion.

The on-screen chemistry between Woody Allen's neurotic comedian Alvy Singer and Diane Keaton's endearingly quirky Annie Hall is the cornerstone of the film's magic. Their witty banter, poignant conversations, and heartfelt moments create a canvas that portrays the highs and lows of a relationship with an authentic brush. 'Annie Hall' isn't just a love story; it's a human story—one that navigates the spectrum of emotions that love brings forth.

The film's narrative structure, with its nonlinear storytelling and fourth-wall-breaking moments, reflects the complexity and unpredictability of life itself. As Alvy reminisces about his relationship with Annie, the audience is taken on a journey that isn't just about a romance that was, but also about the musings and self-discoveries that emerge from it.

'Annie Hall' earned its place in cinematic history by winning four Academy Awards, including Best Picture. Beyond the accolades, it remains a piece of art that resonates across generations. Its witty dialogue, unique characters, and exploration of the human psyche continue to inspire filmmakers and audiences alike.

As we revisit 'Annie Hall,' we're reminded that love is a tapestry woven with both laughter and tears, and that human connections are often as messy as they are beautiful. The film's enduring legacy is a testament to the power of storytelling, the depth of emotions, and the timelessness of embracing our quirks and vulnerabilities—just as Annie Hall herself so effortlessly did."

Almost Famous (2000)

Transporting us back to the freewheeling spirit of the 1970s, 'Almost Famous' (2000) remains a timeless ode to the world of rock 'n' roll and self-discovery. At the heart of the film's magnetic allure is Kate Hudson's portrayal of a girl on the road—an embodiment of wanderlust and untamed dreams.

In the midst of the film's electric atmosphere, Hudson's character dons a shearling collared coat that does more than just shield against the cold. It becomes a statement, a visual cue to her unapologetic individuality, and a piece of cinematic fashion that etches itself into memory.

The coat itself is more than a mere accessory; it's a symbol of rebellion and authenticity. As the character navigates the whirlwind journey of the rock music scene, the coat becomes a steadfast companion, draped around her with an air of effortless coolness. It's a reminder that clothing can be more than fabric—it's an extension of one's identity, a reflection of their aspirations and desires.

Hudson's portrayal in this role is a masterclass in bringing a character to life. Through her, we experience the heady highs and soul-searching lows of life on the road, all while the shearling collared coat remains a constant, a touchstone to her character's essence.

Cinema has a unique way of intertwining fashion with narrative, and this coat is no exception. It's a sartorial choice that adds depth to the character, a layer of visual storytelling that goes beyond words. Every furrow of the collar and every fold of the fabric speaks to the character's journey, making the coat a silent narrator of her evolution.

In 'Almost Famous,' Kate Hudson's character becomes a source of inspiration, embodying the spirit of adventure and unapologetic self-expression. The shearling collared coat becomes a cherished artifact of her on-screen persona, a reminder of the power that fashion wields in shaping our perception of characters and their worlds.

As we revisit 'Almost Famous,' we're not just revisiting a film; we're revisiting an era, a sensation, and a piece of cinematic history. And in the midst of it all, the shearling collared coat stands as a testament to the enduring connection between fashion and film—a connection that continues to captivate and inspire."

How To Lose a Guy in 10 Days (2003)

In the realm of cinematic fashion moments, there's a certain allure that transcends time. Just as Keira Knightley's unforgettable green Atonement dress etched itself into our collective memory, another scene comes to mind—one that embodies a different kind of enchantment, courtesy of the ever-charming Kate Hudson.

In this particular cinematic juncture, Hudson donned a silk gown that was destined to become iconic in its own right. The scene in question remains etched in the hearts of viewers, as we all succumbed to the undeniable allure of her presence.

There's a certain magic to the way a well-chosen wardrobe can transform a moment into an everlasting memory. Just as Knightley's Atonement dress was more than mere fabric, this silk gown seemed to possess a similar transformative quality. It was as though the threads of the gown were woven with a touch of timelessness, leaving an indelible mark on the tapestry of film history.

Kate Hudson's portrayal in this scene was nothing short of captivating. The gown draped around her with an elegance that mirrored her own, and the synergy between actor and attire was palpable. As viewers, we couldn't help but be drawn into this enchanting dance, where the dress became more than an outfit—it was a character in its own right, a co-star in the unfolding drama.

Moments like these remind us of the profound impact that cinema can have on our emotions and perceptions. Just as words can weave stories, fabrics can tell tales of their own, evoking emotions that linger long after the credits roll. It's a testament to the power of visual storytelling, where an iconic dress can become a symbol of an entire scene, a vessel for emotions, and a portal into a realm of imagination.

So, in the grand tapestry of film history, let's not forget the silk gown that was almost as iconic as the Atonement dress. Kate Hudson's moment in this ensemble reminds us that while actors breathe life into characters, the costumes they wear breathe life into moments, creating an everlasting connection between the screen and the heart.

 

A Bigger Splash (2015)

Considering Dior and Raf Simons both worked on Tilda Swinton's wardrobe for A Bigger Splash, not taking note of her oversized button down shirt dresses, clean, tailored lines, and impeccably elegant swimwear would render this round up incomplete. 

 Poetic Justice (1993)

The reference point for perfect 90s style, and a clip that always launches us back to when cat’s cradle was cool. The styling in all of Poetic Justice was superior, but these are the looks we remember best.